I maintain that Hey There Delilah by Plain White Tees is a 450% better song if it’s about a guy who’s lost custody of his daughter
Literally every lyric has so much more Energies if it’s sung to a child I’m gonna die on this hill. “Hey there, Delilah /Don’t you worry about the distance /I’m right there if you get lonely /Give this song another listen” and “Hey there, Delilah/ I know times are gettin’ hard /But just believe me, girl / Someday I’ll pay the bills with this guitar / We’ll have it good /We’ll have the life we knew we would / My word is good” like? He’s trying to get his daughter back? Idk if she’s with the other parent or in foster care or what but it’s So Much I have a lot of feelings about this. The repeated promises, “I’d walk to you if I had no other way” and “I’m right there when you get lonely” when, like, obviously, he’s not, and he’s just sort of desperately hoping that she still understands that he loves her, and that she doesn’t feel abandoned. And then, “Delilah, I can promise you /That by the time that we get through / The world will never ever be the same /And you’re to blame” that’s so fucking sweet? That’s such a sweet thing to say to your daughter. Romance is over. Noncustodial parental love songs are where it’s at.
This is what “death of the author” means. We know that’s not what the song was written about, but what if it was? What if we explored the lyrics as though the speaker was a heartbroken father missing his daughter? It changes EVERYTHING. And it’s so good.
Anyway, OP you are wonderful and I love you.
Have always thought that “Hey there Delilah / you be good, and don’t you miss me” is a little creepy and infantilizing if sung to a romantic partner.
But if it’s a father, and he’s saying goodbye to the daughter he never gets to see, and he’s trying so hard to put on a brave face for her, then “You be good, and don’t you miss me” is shattering.