quasi-normalcy:

So obviously, the most obnoxious and useless sort of science fiction criticism is provided by angry dumb guys screaming into microphones about things being “woke”; but I also get annoyed by the people who insist on applying a sort of “roman-á-clé” reading, where everything in the story is merely a disguised stand-in for some real-world human political issue. Like, yes, obviously, sf is used for social and political commentary a lot of the time; but it’s *also* used to just kind of play around on the frontiers of possibility. And it frankly seems kind of demeaning to the genre to pretend that its alien, its bizarre, and its inhuman features are necessarily just stand-ins for some mundane, real-world concept. Like, yes, clearly The War of the Worlds is about colonialism; but it’s also about alien life; it’s also about evolution and ecology; and it’s also about “Wouldn’t it be fucked up if THIS happened!?” And all of these are irreducible from the genre. Is your robot autistic? Well, maybe you can read it that way. Maybe it’s a sincere attempt to imagine a nonhuman mechanical intelligence. Maybe it’s both. Sometimes, you write a story strictly for “Wouldn’t it be fucked-up if…” purposes and it ends up shedding a whole new light on the human condition; in fact, I think that, if you’re taking your concept seriously, it should do this by default. But you have to take the bizarre on its own terms or you might as well be reading realism.