How Disco Elysium captures our current political moment
Disco Elysium’s setting was formerly the site of a communist revolution that established the Commune of Revachol. It didn’t last long. The Coalition of Nations brutally put the communists down, divided the city among themselves, and enforced a free market capitalist system. The results are depressingly apparent in Revachol’s dilapidated district of Martinaise. “The literacy rate is around 45% west of the river,” Joyce Messier, a negotiator sent to parley with Martinaise’s striking union, tells our protagonist. “Fifty years of occupation have left these people in an *oblivion* of poverty.”
This state of affairs is overseen by the Moralist International, a union of centre-left and centre-right parties that professes to represent the cause of humanism, but whose primary concern is transparently the preservation of capitalist interest – a Coalition official happily tells us that “the Coalition is only looking out for *ze price stabilitié*”, arguing that inflation in Revachol must be prevented, comparing it to a heart disease that could block the “normal circulation of the economy”. The people of Revachol don’t matter. Their suffering and oppression is only significant as a necessary symptom of the system functioning as intended.
The most biting aspect of this critique of capitalist exploitation can be found in the cynicism of those who represent Moralism, or at least, its interests. The aforementioned Joyce Messier is its perfect embodiment. She does not believe in the facade of humanity Moralism presents to the world, and is under no illusions about what it has done to the people of Martinaise. She tells you how bad things are, freely admitting that the pieces of legislation put in place by the Moralist Coalition to govern Revachol are there to keep “the city in a […] laissez-faire stasis to the benefit of foreign capital”. This corrosion of belief via cynicism, this depiction of a system that continues to operate unimpeded despite few believing in it, feels all too familiar.
This critique of liberal capitalism’s hypocrisy, cynicism, exploitation and deep-rooted connections to colonialism, is particularly powerful in recognising the precarious position it finds itself in. It has reached a stasis that seems, paradoxically, both insurmountable, and on the verge of collapse. Moralism relies on this contradiction. It’s unofficial motto, “for a moment, there was hope”, underlines the degree to which its dominance depends on the preclusion of the idea that a better world is possible, that there is no alternative, echoing the End of History sentiment that created the (rapidly disintegrating) political consensus of our lived reality.
Despite growing dissatisfaction with the status quo in the real world, it has, indeed, proved difficult to imagine an alternative. The oft-repeated phrase attributed to literary critic and political theorist Fredric Jameson, that is is easier to imagine the end of the world than it is the end of capitalism, has almost become a cliché. However, the mistake Joyce makes, and one that we should avoid, is to assume that this means an alternative won’t emerge nonetheless.[…]
In a world where everyone is encouraged to look out for themselves, Disco Elysium suggests we should remember the value of collectivity, camaraderie and community. The Deserter has forgotten that though the communism he identified with is dead, the values that brought people to its cause in search of a better world remain as valid as ever. Bleak as it is, those values exist in Martinaise. They exist in us. Their latent power has the potential to lead us towards better horizons.